- For Violinists Violists and Cellists aged 12-18.
June 18 - July 16, 2011
Intensive training in chamber music: two hours chamber music practice 4 days a week, two one hour lessons and one performance masterclass per week
Solo repertoire: 4 1/2 hours individual practicing every day, two one hour lessons and one performance masterclass each week. Supervision from teaching assistants, regular staff pianists for all sonata and concerto repertoire.
Evening masterclasses with guest artists, Concerts of the Summer Festival with world-famous performers.
Competition for Piano Performers/Groups of Teachers within the framework of the X Regional Open Festival of Chamber Music “Let us fill our hearts with music!”
The Children School of Arts (Petrozavodsk) organized the IV International Scientific & Practical Conference “Development of creative potential of the child’s personality. Pedagogical achievements, opportunities and development perspectives. Children & Youth Theatre”.
The first Republican conference about game technologies in creative development was held in 2001 at the Children School of Arts. Participants of the second conference discussed the issue of use of different methods of Art Pedagogy in 2004. In 2007 the holders of the third conference, t.i. Children School of Arts and Center of Informational technologies (Karelia State Pedagogical University) proposed to participants to discuss a very topical subject – Use of informative & communicative technologies in pedagogical activities to develop children’s creativeness.
...their first International Festival of String Quartets, in Sicily.
14th International Chamber Music Course for Young String Players
27th July-7th August 2011 - Pra Catinat, Torino (Italy)
- Special guest: Rohan de Saram
- Honorary President: Dr. Hugh Maguire
The course programme consists of four daily classes two quartet sessions, one mixed group (trio/quintet/octet) and a chamber orchestra session. Every student plays in three different groups, each one coached by a different member of the teaching staff. Specific programmes are devised for established quartets (trios/quintets) who wish attend the course. At the end of the two weeks, all students will participate in both Passeggiata musicale at the San Carlo Fortress of Fenestrelle and in the Final Concert.
- Mariana Sirbu, Violin
- Massimo Paris, Viola
- Mihai Dancila, Chelo
- Concerto Malaga, resident orchestra
For detailed information: www.concertomalaga.com/fiapmse/inscripcion
There are 530 students studying and 230 professors working in Music Faculty.
I will shortly introduce you to the activity of our department of the last two years.
More information and application forms: www.savonlinnamusicacademy.com
- Master Class for Opera I June 27 - July 5
Kammersänger Tom Krause (Escuela Superior de Musica, Madrid, Spain)
- Master Class for Opera II July 6 - July 10
Professor Barbara Bonney (Universität Mozarteum, Salzburg, Austria)
- Master Class for Violin July 12 - July 22
Professor Mi-kyung Lee (Hochschule für Musik und Theater München, Germany)
- Master Class for Cello July 14 - July 16
Professor Erkki Rautio (Sibelius Academy, Finland)
- Master Class for Viola (& Chamber Music) July 17 - July 26
Professor Diemut Poppen (Hochschule für Musik Detmold, Germany)
- Chamber Music Master Class (& Violin) July 19 - July 27
Mark Gothoni (Orpheus Quartet, Universität der Künste Berlin, Germany)
- German Lied Master Class July 22 - July 27
Professor Hartmut Höll (Hochschule für Musik Karlsruhe, Germany)
Practically all of Jean Sibelius’ early chamber music is now available on CD (the Sibelius Edition volumes 2 and 9 on BIS-records). On the records are some fragments, sketches and pieces of little interest for people besides those working with musicological activities. However, in the Critical Edition of Jean Sibelius' Works published by Breitkopf & Härtel, no volumes of chamber music have yet been published, and the whole project is expected to last still many years. The most important and interesting chamber works among those composed mainly between 1888 and 1890 are the Quartets in B flat Major op. 4 (1889–90) and my favorite: A-minor JS 183 (1889) [both published by Edition Fazer/Warner bros. Company]. A very fine work is the Piano Quintet JS 159 in G-Minor (1890) [Wilhelm Hansen, Copenhagen]. Edition Fazer/Warner has published also the String Quartet E flat Major (1885), two String Trios, A-Major (1889) and G-Minor (1893–94) plus a Piano Quartet in C-Minor (1891). The composer seems to have been rather productive on the field of chamber music at that time.
The style in Sibelius' early chamber music differs quite a lot from his later music. There are still very personal features which were not quite common at that time, especially in his treatment of harmony and form.
The works published by Edition Fazer/Warner bros. Company are today available from:
Fennica Gehrman, www.fennicagehrman.fi
PO Box 158, FIN 00121 Helsinki Finland
Festival Musiq'3/Coup de jeune: A new branch of the Festival de Wallonie will be launched July 1-3 at the Flagey in Brussels combining students and professionals in an innovative, multidisciplinary, intergenerational concept.
Benoit Debuyst, Director of Communications for the Festival de Wallonie, and round table participant at the Rome meeting, is pleased to announce the creation of a new festival in Brussels which combines students from the Brussels Conservatory and both national and international professional musicians. A collaboration between Musiq3, the Festival de Wallonie, the Royal Brussels Conservatory, and numerous other partners, the festival features both indoor and outdoor events, mixes soundpainting, flashmobs, and workshops with family workshops and cinema, investing every available space of the Flagey. More than 30 concerts, over a hundred musicians, a large group of chamber ensembles in residence, and a special tribute to Liszt for his 200th birthday.
More details: http://dl.dropbox.com/u/6198052/Programme-musiq3.pdf
Tickets and reservation: www.flagey.be
Artistic director Jano Lisboa, has announced the creation of a new festival/academy for chamber music in Viana for highly qualified young chamber musicians. Accepted ensembles and musicians attend the academy entirely free of charge, and benefit from coachings and performances with resident artists (Kuss Quartet, Endellion Quartet, and Peter Donahoe). Mr. Lisboa was member of the Quatuor Benaïm during 2007-08, with whom he toured through Europe, Japan and Israel. He is now a member of the Münchener Kammerorchester.
Friday 4 March, am - Sunday 6 March, 2011
Chetham's School of Music, Manchester (UK)
Presented by the London String Quartet Foundation and Chetham's School of Music. A weekend of workshops, classes and performances for twelve young quartets from all over the UK, who will be working with Pavel Fischer, Johannes Meissl, Mark Messenger, Christoph Richter, Raphael Todes, Nicholas Jones, Graham Oppenheimer, Stephen Threlfall and the Carducci String Quartet.
Performances are free to attend. No booking required. All events are open to the public. For further information, contact the Outreach Administrator on 0161 839 6548.
ChamberStudio is putting on a Showcase Concert featuring three of the UK's outstanding new-generation chamber groups. The concert is at Kings Place in Hall 1 on Sunday 22 May at 6.30pm. Cavaleri Quartet Beethoven String Quartet Op 59 No 2 Lawson Trio Ravel Piano Trio Wu Quartet Dvorak String Quartet Op 106
Tickets are £9.50 from the Kings Place box office (tel: 020 7520 1490) and online at www.kingsplace.co.uk/whats-on-book-tickets/music/chamberstudio-showcase Please see the pdf flyer for further information.
Three remaining dates for masterclasses at Kings Place before ChamberStudio takes a break for the summer:
- 1 May (Martin Lovett and Richard Ireland)
- 8 May (Alasdair Tait and Susan Tomes)
- 15 May (Christoph Richter and Richard Ireland)
The new season at ChamberStudio starts on 2 October.
Thursday 7 to Saturday 9 April 2011 Paris
The Sforzando Competition is the European chamber music competition for universities, Grandes Ecoles and similar institutions of higher education. It is open to students playing to a high amateur standard who are members of ensembles comprising between two and five instruments. The competition seeks to demonstrate the frequently outstanding musical quality attained by these students, who are pursuing their studies in tandem with their shared passion for classical music. As an exception to the general regulations, the competition is also open to recent graduates. ECMTA is proud to be an official partner of the Concours Sforzando.
The official deadline was February 1, but it is still possible to submit applications. Applications and information: http://sforzando.fr/EN_Accueil.html